Blog—Source Material

Disability History in Rare Ephemera

The Newberry’s newly acquired Mendicant Ephemera Collection includes nearly 200 pamphlets, postcards, handbills, photographs, and other printed items sold by the disabled or impoverished to support themselves—mostly from the United States, but with some European examples. Taken as a whole, the collection forms a portrait of nearly a century of lives lived without a safety net.

Mendicant literature 009 o3 Kittie Smith pamphlet

Kittie Smith on the cover of her pamphlet “My Life Story,” 1906. Call number: Case RD796.S55 A3 1906b.

Kittie Smith smiles on the cover of “My Life Story” above her neat signature. Inside the pamphlet are photographs of drawings and a quilt she made using her feet following the amputation of her arms. On the cover of his pamphlet, “The Blind Hobo,” A. G. Haughton demonstrates his method of leaping onto a moving freight train. One-legged long-distance walker and dancer Ralph Tompkins sells sheet music for his hit song “Won’t You Be a Friend of Mine.” And disabled veteran V. W. Bruce offers a poem commemorating his experience with the 17th Michigan Infantry during the Civil War.

These are a few of the people whose stories are documented in the Newberry’s newly acquired Mendicant Ephemera Collection. The collection includes nearly 200 pamphlets, postcards, handbills, photographs, and other printed items sold by the disabled or impoverished to support themselves—mostly from the United States, but with some European examples. Taken as a whole, they form a portrait of nearly a century of lives lived without a safety net.

Why Do These Things Exist?

Traditions of mendicancy—the practice of surviving on donations, from the Latin word for “begging”—have deep roots in Buddhism, Christianity, and other religions. The creators of items in this collection are nearly all laypeople—not the monks, nuns, or priests of earlier mendicant traditions—but they often touch upon their religious faith.

Paradoxically, the term “mendicant” is both misleading and particularly apt for this collection, as these individuals who were selling photos, poems, autobiographies, and other items were not begging at all—rather, they were exchanging an item for either a set price or a donation (typically phrased as “what you please” to pay). In the U.S., such distinctions became particularly important after the Civil War, when thousands of wounded survivors returned home and urban populations exploded.

Illustration of a woman (representing America) carrying a wounded soldier across the battlefield. The top of the comic reads, "Hello Buddy. Comics of War, Facts of Service. Remember the Unemployed War Veterans."
Hello Buddy comic sold by unemployed or disabled ex-service men, 1932. Call number: Case D526.2 .H445 1932.

In her groundbreaking 2009 book The Ugly Laws: Disability in Public, Susan M. Schweik tracks the development of ordinances in cities and towns across America focused on removing “unsightly” beggars from public places.

The most infamous example of such an “ugly law” was passed by Chicago’s city council in 1881; in dehumanizing language, it specified that “Any person who is diseased, maimed, mutilated, or in any way deformed” who “expose[d] himself to public view” on streets or in other public places would be fined $1 per offense. It stayed among the city’s ordinances until 1974.

Selling a pamphlet, handbill, or card helped unsheltered and disabled people to avoid charges of vagrancy and argue that such laws threatened their livelihoods. In other cases, creators sold their items by mail, attempting to raise funds to allow them to stay in their homes and support themselves and their families.

The headings "Good Luck to All," "To My Friends," and "Single and Double Hand Alphabets" are on the front cover of the leaflet.
Leaflet showing American and British Sign Language alphabets, 1884. Call number: Case folio HV4493 .N49, box 1, folder 10.
The left page shows single-hand alphabet formations. The right page shows double-hand alphabet formations. Both sides have short explanations at the bottom.
Leaflet showing American and British Sign Language alphabets, 1884. Call number: Case folio HV4493 .N49, box 1, folder 10.

Of course, the money itself was also important to the sellers. Most American mendicant ephemera dates from the 1860s to the 1930s, prior to the Social Security Act and other New Deal programs that were established during the Great Depression. Millions of unemployed and underemployed people with disabilities struggled mightily during this time to make ends meet.

Beyond their utility as objects to be sold, the items helped to fill the deep need of their writers to share their stories, even in a society that was actively hostile to their existence. The poetry and prose composed by these writers could be derivative or inexpert. But they do, indeed, form a body of mendicant literature—work begging to be read and understood, to make a connection on a human level. Thus, the term “mendicant” is particularly apt for this collection.

Even the items that reprint or provide only slight variations on popular, frequently reprinted poems, such as two standards, “The Empty Sleeve” (typically sold by disabled Civil War veterans) and “The Blind Man’s Appeal,” often include brief notes about the individual seller—that they lost their sight due to an errant spark while working as a blacksmith; which unit and battles they served in; where their work on a railroad led to the loss of a limb.

The top half of "The Blind Man's Appeal" poem. The introductory paragraph reads, "The Bearer, having lost his Eyesight in early life, and not wishing to become a burden to the Public, takes this method of gaining a livelihood, and most respectfully craves your patronage."
One version of “The Blind Man’s Appeal” poem, 1875. Call number: Case folio PS991.A1 B56 1875e.

In the case of the pamphlet of popular songs sold by husband and wife James and Mary Lawler, they share the causes that led to their blindness as children and announce, “Their work on the streets and in selling these books is their only means of support.”

Below the title "The Best Popular Songs of Today" is a photo of James and Mary Lawler.
Pamphlet of popular songs sold by James and Mary Lawler, 1910. Case ML54.6 .B47 1910.

How Did They Get Here?

Almost always cheaply printed (often with donated labor or materials), cheaply bought, and treated as disposable, most mendicant items are vanishingly rare—truly ephemeral. One bookseller, Marc Selvaggio, has built and sold two of the largest collections focused on the topic: one at Harvard’s Countway Library of Medicine, and the other now at the Newberry. A third was assembled by Professor Robert Bogdan as part of his larger Disability Collection and is now at Yale’s Cushing/Whitney Medical Library.

The two collections that Selvaggio assembled have virtually no duplication between them. Many of the items in the Newberry collection are the only known copy–most are one of fewer than five copies anywhere. Thanks to the generosity of donors David and Anita Meyer, the Newberry acquired 165 items from Selvaggio in 2019, adding to the dozens of individual examples collected over the past few years.

A photo of Tompkins in a suit, hat, and crutches is on the cover of his sheet music for "Won't You Be a Friend of Mine."
Sheet music sold by one-legged long-distance walker and dancer Ralph Tompkins for his hit song, “Won’t You Be a Friend of Mine.” Tompkins is pictured on the cover. 1913. Case sheet music M1630.2.T66 W66 1913.

Finding mendicant literature in library collections has always been challenging. Catalog records have not typically included a reference to the mendicant nature of the item—and if they do, it is quoted from the phrasing on the item in a way that makes finding similar items challenging.

The Mendicant Ephemera Collection was cataloged by Principal Cataloging Librarian Jessica Grzegorski. She explains her approach to this project:

“One of the biggest challenges of cataloging these materials is describing them in a way that makes them accessible to interested researchers while using respectful language regarding disability. Including text quoted directly from a piece of mendicant literature allows the creators to speak for themselves about the nature of their disability and their current life circumstances. These quotes are also searchable in the catalog, increasing the chance that the items will be located through a keyword search.

“However, some of the language relating to disability used in these historical materials is considered offensive or harmful today. To help mitigate this harm, the Newberry’s finding aid for the Mendicant Ephemera Collection is transparent about what language, offensive or otherwise, is quoted directly from the materials.

“Some in the disability community prefer to describe themselves person-first language (e.g., ‘I am a person who is blind’), while others prefer identity-first language (e.g., ‘I am blind). Neither option is better than the other and depends on the preference of the individual with disabilities. We decided to take a person-centered, rather than disability-focused, approach to description. In the finding aid, the collection is divided into series based on the creator’s type of disability. However, rather than phrasing a series title as “Appeals by the Blind,” for example, the finding aid uses the person-centric phrasing “Appeals by People who are Blind.” This phrasing acknowledges that people with disabilities are multi-dimensional individuals who are not defined exclusively by their disabilities. In catalog records, this approach extends to subject headings, which cover many aspects of the lives of people with disabilities. For example, some of the creators of mendicant literature are artists, musicians, construction workers, or railroad employees, in addition to being blind or an amputee. Adding multiple subject headings improves access for researchers while also highlighting the multifaceted lives of people with disabilities.”

Adding multiple subject headings improves access for researchers while also highlighting the multifaceted lives of people with disabilities.”

Jessica Grzegorski
Principal Cataloging Librarian

Williams seated with his many instruments, including a guitar, trombone, and multiple drums.
Postcard showing “W. C. Williams, One Man Band,” and his many instruments, ca. 1910. Case folio HV4493 .N49, box 1, folder 35.

Why Collect Them?

As with most ephemera collections, the utility of the collection grows along with its size, allowing comparisons across time, geography, and demographics. Making a larger collection of these items visible and available for use together should facilitate a deeper understanding of a range of topics.

Researchers in the field of disability studies will surely benefit from this collection, but other enlightening approaches to the collection might be made by historians of public policy, the working class, and social change. Literary scholars interested in autobiography and other kinds of “life-writing,” bibliographers, and even business historians will also find unstudied sources here.

In addition to their value for research, the items in this collection are important as a step toward addressing an archival silence in both the Newberry’s collections and in the historical record at large. Improving and ensuring the representation of groups such as people with disabilities, people without shelter, and people living in poverty in our collections is essential.

Haughton leaping onto a freight train in motion
A.G. Haughton’s 1924 pamphlet “The Blind Hobo.” Haughton is pictured on the cover, leaping onto a freight train. Case HV1792.H26 A3 1924.

The materials in the Mendicant Ephemera Collection help us lessen the distortions that stem from many disabled and poor creators’ relative difficulty accessing the means to share and distribute their own experiences, and from institutional collecting practices and hidden biases that often privilege materials from upper- and middle-class creators. Having Kittie Smith’s autobiography available in the same space as Benjamin Franklin’s, and the appeals of injured railroad workers available alongside the records maintained by railroad companies, makes an important statement about our shared humanity.

About the Author

Will Hansen is Director of Reader Services and Curator of Americana at the Newberry Library.

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